You want to be a Beatmaker, but you don’t know what equipment you need to achieve the goal of producing your own beats?
It’s true that when starting out in the art of beatmaking, choosing the right equipment is not always easy among the multitude of options.
And then, it quickly represents a certain budget, so as much as you really want to produce instrumentals, you’d rather not make a mistake.
But that’s great, if you’re an aspiring beatmaker, you’ve come to the right place: thanks to this guide, which aims to be as clear and comprehensive as possible, I will explain to you exactly what equipment you need and why.
This way, you’ll have all the information to buy your first beatmaker equipment, or to complement the equipment you already have.
And thus, gradually set up your home studio.
Specifically, here are the topics we will cover in this article:
- What is beatmaking?
- The computer
- Audio interfaces
- Headphones and speakers
- The DAW or sequencer
- Beatmaking software
- MIDI controllers like “drumpads”
- MIDI keyboards like “keyboard”
- DAW controllers
- Microphones
- Options for beatmaking without a computer
What is beatmaking?
Beatmaking is the art of creating rhythms and rhythmic sequences, often used as the basis for songs in various musical genres, such as hip-hop, rap, R&B, and other urban music. People who practice beatmaking are called “beatmakers” or “beat producers.”
The beatmaking process generally involves manipulating sounds, loops, and pre-existing samples, as well as creating new rhythms using various instruments and music production software. Beatmakers often use drum machines, electronic drum pads, MIDI keyboards, and production software to create and edit their compositions.
In the context of urban music (rap, hip-hop, boombap, drill, trap…), beatmaking holds particular importance as beats often constitute the central element of a song, providing the rhythmic structure on which lyrics and melodies are built.
Beatmakers can be independent artists who sell their beats to other artists, music producers working in collaboration with artists, or performers who create their own beats to accompany their songs.
And this is (probably) where you come in, precisely, if you are reading this article: you want to produce beats, make bangers, for yourself or to sell, but you are not sure about the necessary equipment to do so.
But don’t worry, we will be able to look at all of this together in the following chapters.
What computer for beatmaking?
Of course, if you want to produce sounds, you need a computer.
Sure, there are a number of options on tablets or phones, but I find that it is often too basic.
It is never suitable if you want to take beatmaking seriously.
In fact, all producers work on a computer, except perhaps when they are on the go.
The problem is that to do computer-assisted music (CAM), you need a computer that is somewhat powerful, especially in terms of processor and available RAM.
Because with all the effect plugins, virtual instruments, or virtual samplers that we are likely to use, the computer needs to be able to calculate things “in real time”.
That said, if you already have a computer today and it works properly, even if it is not ultra-powerful, I recommend starting with it: you can already do things with a few tracks, some simple instruments, and a few audio samples.
But if beatmaking is really a passion for you, it’s likely that at some point you’ll need to switch to a computer that’s really suited (Mac or PC, both work 🙂 ) that won’t hold you back, in fact, for your productions.
When I say a really suitable computer, I ideally think of a tower, but especially a machine with:
- an Intel Core i7 processor at a minimum;
- more than 16 gigabytes of RAM;
- a fast storage system (typically an SSD).
If you have that, you’ll be comfortable and it will help you focus on your productions.
► Click here to discover my buying guide on computers for music production
An audio interface for beatmaking
Sometimes we hear that you absolutely need an audio interface to do beatmaking, but that’s not entirely true.
What is an audio interface?
An audio interface is a type of sound card that you typically connect via USB (or Thunderbolt) to your computer, and which will combine several functions, such as:
- a headphone amplifier to which you can connect… your headphones;
- audio outputs to connect monitoring speakers;
- analog-to-digital converters to bridge your computer (which only understands 0s and 1s) and the outside world;
- one or more preamps to connect microphones.
When is it not essential?
However, when you’re starting out in beatmaking, you don’t always need all that.
In particular, you may not yet have the budget for speakers, and you don’t necessarily need to record sound with microphones.
For example, if you just want to produce beats to sell to rappers, well you don’t necessarily need to record anything with a microphone: you just need to compose your productions with virtual synthesizers (software) and samples.
(We’ll talk about that a bit later if it doesn’t resonate with you too much)
So in this specific case, the only thing you need is a place to plug in headphones to hear, of course, what you’re doing.
And that place can very well be your computer: sure, the sound from the built-in sound card will probably be a bit less qualitative, but to start it can be sufficient.
But a dedicated sound card will be more suitable
That said, it is more common for beatmakers to have an audio interface in their (home) studio, to which they connect their headphones but which can also serve:
- to connect hardware synthesizers;
- to connect hardware samplers;
- to connect a microphone if needed to record a topline or why not instrument samples;
- etc…
By default, if you’re starting out, I recommend you look towards recognized models of audio interfaces.
Unless you want to connect a lot of hardware synthesizers, you’ll only need a small interface with one or two headphone outputs.
Typically, the Scarlett 2i2 from Focusrite, recognizable among thousands thanks to its red color, is one of the models often used by beginners.
► Compare the prices of the Focusrite Scarlett 2i2 on: Thomann Amazon Woodbrass
Another option, a bit more qualitative (especially regarding the mic preamps) but a bit more expensive, is the Audient iD14 — an audio interface with excellent value for money that I regularly recommend.
► Compare the prices of the Audient iD14 MKII on: Thomann Amazon Woodbrass
And if you really want something high-end, know that audio interfaces from the brand Universal Audio, specifically the Apollo Twin models, are quite often found among beatmakers. But here we are really talking about a more substantial budget.
► Compare the prices of the Universal Audio Apollo Twin USB on: Thomann Amazon Woodbrass
Of course, there are many different models of audio interfaces on the market.
► So to make sure you make the right choice, I invite you to check out my dedicated file on home studio audio interfaces
A good headset and good speakers for beatmaking
Now let’s talk about listening devices, namely headsets, but also what are called monitoring speakers.
What are speakers used for in beatmaking?
Ideally, when working on your music, when mixing it, it is advisable to use what are called monitoring speakers — speakers designed to be as neutral as possible, which will reproduce all the details of your beats.
So, much more precise (at least in theory) than classic hi-fi speakers.
These monitoring speakers play a fundamental role in the beatmaking process by providing precise and faithful sound reproduction. They allow beatmakers to hear every element of their music with exceptional clarity, from deep bass to crystal-clear highs.
Thanks to their ability to reveal every sound nuance, these speakers allow beatmakers to perfect their rhythms, refine their mixes, and ensure that their music is ready to be enjoyed on any audio system, from headphones to club speakers.
Which monitoring speakers for a beatmaker?
Indeed, there are quite a few quality speaker models on the market.
However, if you are (or want to become) a beatmaker, you will need to pay particular attention to your speakers’ ability to handle low frequencies when making your purchase.
Generally, on the technical specifications of speakers or the sales pages on retailer websites, you will find information like:
Frequency range: 35 – 22000 Hz
This frequency range allows you to appreciate, in particular, how low your speakers can go in the bass (theoretically, the lowest possible is 20 Hz, although generally, we tend to go down to 40 or even 30 Hz).
This is really important because low frequencies are crucial for beatmakers.
So, lean towards speakers that perform well in the bass.
Generally, these are speakers with a 7-inch or 8-inch woofer (the large speaker that emits the bass).
Monitoring speakers with 5-inch woofers, on the other hand, will be a bit limited for beatmaking.
If your budget is limited and you are just starting out, I recommend starting with a model like the Yamaha HS7, commonly used by beginner beatmakers.
► Compare the prices of Yamaha HS7: Thomann Woodbrass Amazon
For something a bit more precise in terms of sound, with more bass while still staying on a budget, the Adam Audio T8V (which I tested right here) can also be a very good choice.
► Compare the prices of Adam T8V (8 inches): Thomann Woodbrass Amazon
And if you want something more high-end, the A7V from the same brand can be a really excellent choice. I use almost the same model (the A7X, which corresponds to the previous version), and it’s really great in terms of value for money.
► Compare the prices of Adam A7V (7 inches) : Thomann Woodbrass Amazon
► To see other models or for more details on the subject, visit my complete guide to studio monitors
Note that if you really need to hear deep bass for your productions, it might be worth adding a subwoofer to your two studio monitors.
Sure, it’s an additional investment, so it may not be a priority, but it can be a good way to complement low frequencies with something more powerful that goes lower than your monitors.
► I also have a detailed article on monitoring subwoofers
Be careful of the room acoustics
An important point, however, that is sometimes underestimated when starting beatmaking and setting up your first monitors: the room acoustics.
Indeed, in all rooms, there are acoustic problems: the sound emitted by the monitors will of course reach your ears directly, but it will also bounce off the walls around you, which will generate resonance phenomena.
And these phenomena will harm your listening — in the sense that they will create frequency disturbances.
For example, you may find yourself with frequencies disappearing in the bass.
Or a stereo problem in the highs.
This is purely virtual of course: it’s not a problem with your track, but it’s a problem that you feel like you hear when listening on your monitors.
This happens in all rooms, without exception.
To remedy this problem, you need to add acoustic treatment.
You may have already seen photos with gray foam panels like in the picture above, but contrary to popular belief among beginners, this is not ideal.
► I explain everything you need to know about acoustic treatment in this detailed file.
A headset for beatmaking
In a home studio or studio, when producing beats, a headset is often used in addition to studio monitors.
The headset can serve you two purposes:
- to listen to a track while recording vocals (in this case, a closed-back headset will be used to avoid sound leaking into the microphone).
- to mix your productions (in this case, open-back headsets are often used, although it is possible to mix on closed-back headsets).
Let’s be clear: for mixing, it is still better to work with studio monitors. They will always be more balanced, especially if you have added acoustic treatment.
But this is not always compatible with budgets or possible depending on the space you have at home to set up your home studio.
And then, it’s often a good idea to have a good studio headset in addition to your monitors, for example to serve as a second listening option and help you focus on the bass.
By default, the model I recommend more than anything is the ATH M50X from Audio-Technica.
It’s a headset that I use myself regularly, and I find it has an excellent quality/price ratio: it provides a good level of detail, it is quite balanced, and the frequency response in the bass is very good.
► Compare prices for the ATH-M50X at: Thomann Amazon Woodbrass
Another interesting alternative, very well-known and often used in studios, is the famous Beyerdynamic DT770. In my opinion, it is a bit less balanced than the M50X mentioned earlier, but it remains a good headset that reproduces bass well and is completely usable for beatmaking.
► Compare prices for the DT 770 at: Thomann Amazon Woodbrass
Deliberately, the two headsets I recommended above are closed headsets.
Simply because you will have better bass in closed headsets than in open headsets, except for really high-end open headsets (and therefore very expensive).
So yes, closed headsets are theoretically a bit less suitable for mixing, but in practice it is completely possible to work with + you need to hear bass for your beats.
So I prefer to recommend what is truly effective.
► That said, for other models and some suggestions for open headsets, feel free to read my file on headsets for home studio.
Which DAW to use for beatmaking?
If you want to do beatmaking, whether you’re on PC or Mac, you need to use what is called a DAW.
What is a DAW?
A DAW, or Digital Audio Workstation, is an essential software for beatmakers, providing a complete environment for composing, editing, mixing, and mastering music.
This powerful tool allows beatmakers to bring their musical ideas to life by using a varied range of virtual instruments, sound samples, and audio effects. With a DAW, you can indeed compose rhythms using virtual drums, edit audio samples to create unique loops, and manipulate tracks to achieve the perfect mix.
Moreover, DAWs often offer advanced features such as automation, time-stretching, and pitch-shifting, allowing music beatmakers to explore new creative directions and push the boundaries of their music production.
Are all DAWs equal?
First of all, it should be noted that all DAWs have the same sound: there is no difference in quality between the software, so from that point of view, there is not really a “bad choice”.
In other words, DAWs mainly differ in terms of workflow and features.
But precisely, for beatmaking, we often need quite specific features:
- composition of drum rhythms or melodies using a grid-based sequencer;
- advanced and rhythmic effects;
- virtual instruments suited for beatmaking;
- sample cutting and stretching tools (time-stretching) to match them to the production;
- etc.
Also, while it is possible to produce on all DAWs, some are better suited than others.
Beatmaking DAW Recommendation #1: FL Studio
FL Studio, formerly known as FruityLoops, is an iconic DAW favored by many beatmakers for its user-friendliness and power.
It is probably the most used by beginner beatmakers, but many professionals use it as well.
Equipped with a rather intuitive interface, FL Studio offers a multitude of tools specifically designed for creating impactful beats and dynamic musical productions. Among its flagship features is the famous Step Sequencer drum sequencer, which allows beatmakers to create complex rhythms in just a few clicks.
Moreover, FL Studio offers a wide range of high-quality virtual instruments and audio effects, providing you with a great variety of sounds and sonic textures to explore. With its time-stretching, pitch-shifting, and advanced automation features, FL Studio allows beatmakers to express their creativity without limits while providing a professional production environment to create studio-quality tracks.
► Compare the price:
- FL Studio Signature Bundle : Thomann Woodbrass Amazon
- FL Studio Studio Producer Edition : Thomann Woodbrass Amazon
- FL Studio Fruity Edition : Thomann Woodbrass Amazon
DAW Beatmaking Recommendation #2: Ableton Live
Another option if you want to take a perhaps more professional/advanced approach: Ableton Live.
It’s software that has been around for a very long time and has won the hearts of beatmakers thanks to its unique approach to real-time music production.
Known for its versatility and also for its performance on stage, Ableton Live offers a smooth and dynamic production experience, ideal for creating impactful beats and innovative electronic compositions.
Let’s be honest: it’s not the most intuitive DAW. In any case, it is less so than FL Studio.
That said, some of its somewhat unique features, such as the Session View mode, allow beatmakers to freely experiment with musical ideas, capture loops live, and build spontaneous arrangements with remarkable ease.
Additionally, Ableton Live offers a vast library of high-quality sounds and virtual instruments, as well as seamless integration with MIDI controllers and hardware devices, providing users with a multitude of options to customize their workflow and create unique and dynamic productions.
In short, over time, Ableton Live has become an essential choice for beatmakers around the world.
► Compare the price :
- Ableton Live Suite : Thomann Woodbrass
- Ableton Live Standard : Thomann Woodbrass
- Ableton Live Intro : Thomann Woodbrass
Other options
Of course, there are other DAWs that can do the job very well.
For example, I have a beatmaker friend who uses Cubase, and I myself work on Studio One, which I really enjoy.
► Click here to see my complete file on DAWs for the studio
Other software for making beats
It’s not just the DAW that is necessary for making beats.
Well, not necessarily.
Most DAWs come with:
- sample packs
- virtual instruments, typically synthesizers
- and effects, to customize the sound, to modify it, and to mix the different tracks.
However, while this may be enough to get started, it is not always sufficient: often, beatmakers like to go further by using other sound libraries, other sample packs, other instruments, other effects — which they download or purchase elsewhere and then load into their DAW.
By buying samples or instruments from third-party publishers, you can customize your sound as you wish and unleash your creativity to the fullest.
It’s hard to be exhaustive in an article, but here are a few suggestions in this direction.
Native Instruments Komplete
If you like all-in-one packs, where you buy the thing once and then have all the tools to make your music, I find it really interesting to check out the famous Komplete from Native Instruments.
There are different versions in this software suite, but to keep it simple, with the most complete pack “Collector’s Edition”, you will have access to 250 different products, including:
- the Kontakt sampler and the Reaktor creation platform;
- 19 synthesizers;
- 48 sampled instruments;
- 15 percussion tools;
- 32 effects;
- and 103 expansions from the brand.
So it costs a lot, but you will have enough to work with for many years!
That said, don’t worry: if your budget is tighter, you can start with the Komplete Select bundle or the Komplete Standard, which are much more accessible.
In short, this famous Native Instruments Komplete suite is a very popular choice among beatmakers because it contains many useful tools that allow you to get to the point and have a good quality sound right away.
► Click here for more information on the Komplete suite
Splice & Loopcloud
Many beatmakers work with platforms that provide, for a subscription, tons and tons of samples and/or what are called “loops”, that is to say sound loops, which you can download and remix in your own productions.
Two of the most well-known are Splice and Loopcloud.
I don’t have a particular preference, even if Splice might be the most used today: on both platforms, you’ll find quality sounds that will allow you to quickly progress on your beats rather than spending hours designing the sound (which can be interesting, but at least for beginners, it’s nice to have things that sound good right from the start).
As I mentioned just above, these platforms operate on a subscription basis. But nothing prevents you from creating a free account to test things out at first and form your own opinion.
► Click here to learn more about Splice
► Click here to learn more about Loopcloud
Sample Packs
There are tons of brands that offer sample packs, often paid but sometimes free, that can serve as a basis for your music productions, without needing to go for solutions like Native Instruments’ Komplete or the subscription platforms we just talked about.
These can be percussion samples (kick, hihats, snares…), ambiances, single notes recorded from this or that instrument, or sound loops that you can then assemble as you wish.
Here are some websites where you can get quality sound packs or sampled instruments to directly reinject into your productions:
- Producerloops
- Production Music Live (PML)
- Hip Hop Drum samples
- Loopmasters
- Black Octopus Sound
- Goldbaby Samples (great for percussion especially)
- Samples from Mars
- Wave Alchemy
Samplers
You can of course drop these samples into your project where you want them to be played, but it’s not super practical.
Generally, we load samples into what is called a sampler, which will be triggered by MIDI notes (that you play on your MIDI keyboard, your MIDI controller, or that you program directly with your mouse on your DAW).
Most DAWs contain samplers, but if not, or if you need additional features, you can try the following samplers:
Virtual Instruments
Beyond samples, you might want to use virtual synthesizers or other virtual instruments on your DAW to produce your tracks.
Unlike samples, which are inherently less flexible since they are pre-recorded (even if you can manipulate them as you wish with effects), virtual instruments give you access to an impressive amount of possible sounds.
Again, there are of course tons of options on the market, but here are a few suggestions from my favorite plugins:
- Native Instruments Massive / Massive X (included in the Komplete suite)
- u-he brand plugins (including Diva) that are really high quality
- Xfer Serum, a synth commonly used by beatmakers
- Vital (there is a free version)
- Arturia Pigments
- Kilohearts Phase Plant
- Spitfire Labs (free instruments)
- AIR Music Xpand!2 (to be obtained during promotions only, good for beginners)
Effects
If you are just starting out, I recommend using the built-in effects that come with your DAW: there is a lot to learn, and immediately seeking out tons of third-party plugins to boost your productions may not be a good idea.
That said, some market effect plugins can really make a difference in your productions — so I don’t think you should completely rule them out either.
There are thousands of plugins on the market, so once again it’s impossible to make a complete list.
However, you can first check my selections of free plugins: some are really excellent and as good as paid plugins.
But otherwise, here are a few plugins that can be interesting for beatmaking:
- FabFilter Pro-Q (and other plugins from the brand): a reference for everything related to equalization
- Antares Autotune: the best autotune plugin on the market for vocals
- Soundtoys Echoboy: great for everything related to delay
- XLN Audio RC-20 Retro Color: an ideal plugin for giving a lofi yet modern touch to your productions
- Plugin Alliance Black Box Analog Design HG-2: great for adding saturation effects
- Waves SSL G-Master Buss Compressor: often used to add sonic glue to track groups or masters
- Waves Abbey Road Collection: a series of vintage-styled plugins that are quite easy to handle
- Cableguys Shaperbox 3: for generating rhythmic effects
- iZotope Ozone: for quick mastering at the end of a track (note that if you want something more professional, I offer a mastering service and work on the music of many home studio artists)
MIDI Controllers like “Drumpad” for Beatmaking
You can of course program all your tracks directly on your DAW, by adding samples and notes in the software that will be played by virtual instruments.
However, it is very common for beatmakers, even beginners, to use MIDI controllers — that is to say, devices that can be plugged in via USB to their computer and that will allow:
- to play notes on virtual instruments or not;
- to control parameters (for example: amount of reverb, amount of distortion);
- and especially to launch samples.
There are two main types of controllers:
- “drumpad” type controllers: this is probably what I would recommend first for beginners, as it is the classic tool of the beatmaker: a matrix of pads on which you tap more or less hard to play the samples;
- “midi keyboard” type controllers: more for those who like to have a piano-style keyboard at hand.
Here are some suggestions for “drumpad” type MIDI controllers.
AKAI Pro LPD8
If your budget is limited, the LPD8 from AKAI Pro is probably a good idea to start with, especially since its small size makes it easy to take anywhere.
Indeed, on this controller, you will find 9 velocity-sensitive and backlit pads, as well as 8 assignable rotary knobs.
This allows you to play rhythmic patterns, for example on the pads, and manage certain parameters of your synths with the knobs.
It is powered via USB — in short, a controller that is as basic as it gets, but still effective and with a good price/quality ratio.
► Compare prices for the LPD8: Thomann Woodbrass Amazon
Arturia Beatstep
Another slightly more complete option: the Arturia BeatStep.
Despite its small size, it is a fairly versatile controller designed for beatmakers looking for a compact and effective solution for sequencing and MIDI control.
This device offers good flexibility with its 16 velocity-sensitive pads and 16 rotary encoders: you can play percussion, generate note sequences, and control both your virtual instruments and any hardware synthesizers you might buy (via MIDI and CV/Gate connections).
In other words, with the BeatStep you can play drums, create melodic sequences (very easy key selection), and control all MIDI-compatible machines.
► Compare the prices of the Beatstep: Thomann Woodbrass Amazon
Arturia Beatstep Pro
The big brother of the Beatstep we just talked about.
This machine is, in fact, much more complete: in addition to the 16 velocity-sensitive pads and 8 rotary encoders, it features transport buttons (play/record/stop…), two independent step sequencers with dedicated screens, allowing it to control two different instruments, swing and random generation features, and an additional sequencer dedicated to percussion.
Beyond the simple USB connection, its numerous connections will also allow you to interface it over the long term with hardware synthesizers (analog, digital, modular…).
► Compare the prices of the Beatstep Pro: Thomann Woodbrass Amazon
Native Instruments Maschine Mikro
The MASCHINE MIKRO is a compact and versatile controller for music production with a laptop, ideal in the studio or on the go.
This device offers fast and flexible features, allowing you to create beats, play melodies, and build tracks intuitively.
It includes high-quality instruments, sounds, and effects via dedicated software/plugin, as well as complete synthesizers like Massive, Monark, and Reaktor Prism.
The 16 pads allow various creation modes, such as Pad, Keyboard, Chord, and Step modes. Thanks to its compact screen and multifunction encoder, navigating and managing sounds is made easier.
Powered by USB, it is highly portable and can be used standalone or integrated into a DAW. The Maschine Mikro also offers powerful tools like sampling, Drum Synth, and Perform FX to enrich musical compositions.
► Compare the prices of the Maschine Mikro : Thomann Woodbrass Amazon
Native Instruments Maschine MK3
Probably my number 1 choice in this list, if you have enough budget for this device.
The Maschine MK3 enhances the classic workflow of grooveboxes by making it faster and more intuitive, ideal for home studio users. The larger and more sensitive pads allow for better expressiveness when creating beats and melodies.
The two high-resolution screens provide precise visual control for navigating sounds, effects, and plug-ins directly from the hardware.
Additionally, as it features a studio-quality audio interface (96kHz / 24-bit), it is easy to integrate synthesizers or dynamic microphones for recording and sampling. The hardware optimization allows direct access to the most used functions, thus facilitating music production.
Finally, the “Smart Strip” control strip adds new playing possibilities, such as pitch-bend and sound modulation.
More complete than the Maschine Mikro, this model can easily become the heart of your home studio, working seamlessly and fluidly with your DAW.
► Compare the prices of the Maschine MK3 : Thomann Woodbrass Amazon
Novation Launchpad Pro
The Novation Launchpad Pro is a controller designed specifically for Ableton Live, and is quite well suited for home studio use.
Its seamless integration with Ableton Live allows for easy control of clips and tracks through four simple modes: Session, Note, Device, and User. With an 8×8 RGB pad grid, it lights up the clips according to their colors in Ableton, thus facilitating the triggering and combining of loops and ideas.
Moreover, the Scale mode automatically adjusts the pads to the notes of the 32 available keys and modes, preventing the playing of wrong notes.
Finally, even though it is primarily designed for Live, the Launchpad Pro can control various software and external hardware via its MIDI ports, and it can be used as a keyboard for other DAWs or to play riffs on external synthesizers. The velocity and pressure-sensitive pads allow for the creation of dynamic rhythms and expressive drum performances.
► Compare the prices of the Launchpad Pro: Thomann Woodbrass Amazon
AKAI APC 64
Another controller specialized for Ableton Live: the APC 64 from AKAI.
Admittedly, this is a more advanced tool than the others, but it remains completely usable for beginner beatmakers in a home studio.
It features 64 velocity-sensitive RGB pads with aftertouch, and 8 assignable Touch Strips to control parameters like pitch and modulation. It also works in standalone mode as a 32-step sequencer with 8 tracks, and can connect to synthesizers and drum machines via MIDI and CV/Gate ports.
Visual control is provided by a smart color LED screen and dedicated transport buttons. The pads can play notes, chords, and trigger clips, while the Touch Strips allow for precise real-time adjustments.
The Drum mode allows you to create rhythms with Ableton’s drum racks, and the probability and mutation features add variation to sequences. The APC64 is compact, sturdy, and USB-powered, offering a flexible solution for music production and performance.
► Compare the prices of the APC 64: Thomann Woodbrass Amazon
Ableton Push 3
Available only on the official website, this last option, the Push 3 from Ableton, is probably the best if you are working or planning to work on the DAW Ableton Live.
Admittedly, the budget is higher, but it is a real workstation.
The Push 3 is a MIDI controller designed for electronic music producers looking to closely integrate their hardware with Ableton Live. Its 64 pads are sensitive and MPE-compatible, reacting to the slightest finger movements and pressures, allowing for pitch variation, glissandos, and transitioning from one note to another with exceptional expressiveness.
The Push 3 offers a built-in audio interface, ideal for recording instruments directly, and allows sending CV and gate signals to a modular setup. The intuitive navigation via the LCD screen enables loading sounds, editing MIDI information, and controlling devices and effects from the Ableton Live library without leaving the musical workflow.
This robust controller is designed to last and is perfect for composing, sampling, jamming, and easily integrates with both old and new equipment.
Note that the Push 3 can also evolve into a fully standalone setup with an upgrade kit, offering maximum flexibility according to users’ needs and budgets (or one can also choose the standalone version right at purchase).
► See the price of the Push 3 on the official site
MIDI Keyboard Controllers for Beatmaking
We just saw MIDI controllers of the “drumpads” type, more percussion-oriented even though you can of course play any note with them.
Now, we will be able to focus on MIDI keyboards (also called “master keyboards”), with some suggestions oriented towards beatmaking.
However, if you want to know more about this type of equipment, I recommend also checking out my dedicated article on MIDI keyboards.
Arturia Minilab 3
Without hesitation, my favorite MIDI keyboard if you ever need a small keyboard that is easy to transport or doesn’t take up too much space on your desk, just to compose your beats without it becoming a full piano (this is the one I use in my studio, it’s right in front of me).
Indeed, the MiniLab 3 is a small MIDI controller from Arturia, equipped with 4 faders and a control screen for simplified use.
It features 8 velocity-sensitive backlit pads, 8 encoders, 4 faders, 2 touch strips for pitch bend and modulation, a built-in arpeggiator, a chord mode, and the ability to change octaves or transpose.
Finally, a positive point for the price: it can send MIDI signals via USB or through a classic MIDI output; you can therefore connect it to both your computer and hardware synthesizers.
► Compare the prices of the Minilab: Thomann Woodbrass Amazon
AKAI MPK Mini
Another option in a small size: the MPK mini Play mk3 from Akai Professional, which is a portable keyboard controller combining several types of features and great mobility.
Equipped with a keyboard offering dynamic and quite precise response for the price, it features 25 keys, 8 velocity-sensitive drum pads, 4 assignable encoders, and a joystick to control various parameters.
Additionally, it includes the classic octave selection options, an OLED screen for parameter display, as well as a built-in arpeggiator that can prove useful at times.
► Compare the prices of the MPK Mini : Thomann Woodbrass Amazon
Novation Launchkey
If you’re looking for something a bit more advanced, you can consider the Launchkey series from Novation, which comes in several sizes, from the small 25-key model to the large 88-key version.
The Launchkey controllers offer deep integration with all major DAWs, allowing you to step away from the computer and focus on creativity. With three chord modes and four custom modes, they provide great flexibility for studio performances.
The keyboard and 16 velocity-sensitive pads enable dynamic and expressive performances, while MIDI capture modes ensure that you never lose an idea you just played. Additionally, the integration of scale modes automatically transposes the keys and pads to avoid wrong notes. Handy.
A powerful arpeggiator and a strumming mode are also included to offer more creative options.
► Compare the prices of the Launchkey MIDI keyboards :
- 25-key version: Thomann Woodbrass Amazon
- 37-key version: Thomann Woodbrass Amazon
- 49-key version: Thomann Woodbrass Amazon
- 61-key version: Thomann Woodbrass Amazon
- 88-key version: Thomann Woodbrass Amazon
Arturia KeyLab Essential
Arturia, a French brand renowned for its quality software and synthesizers, also offers MIDI keyboards that are larger than the Minilab we previously discussed, and are perfectly suited for beatmaking.
The KeyLab Essential series, aesthetically pleasing and robust, is designed for musicians looking for an affordable MIDI keyboard that still has interesting features.
Like the Launchkey series from Novation, the brand offers a version of the keyboard in several different sizes, each with 8 velocity-sensitive pads, 9 faders, and 9 rotary knobs — providing numerous control possibilities, along with note hold modes, chords, and arpeggiators.
A good choice if you want a MIDI keyboard with many features without spending a fortune.
► Compare prices for KeyLab Essential MIDI keyboards:
- 49-key version: Thomann Woodbrass Amazon
- 61-key version: Thomann Woodbrass Amazon
- 88-key version: Thomann Woodbrass Amazon
Native Instruments Kontrol Series S
If you want to go really high-end, a regularly chosen option by beatmakers is to use Kontrol keyboards from the brand Native Instruments.
These keyboards, which come in several sizes, of course have the standard features of pitch and modulation wheels, as well as 8 touch-sensitive control buttons.
But that’s not all: the keyboard is a Fatar keyboard with semi-weighted keys and polyphonic aftertouch. So we are talking about very high quality.
Furthermore, particularly leveraging the high-resolution color screen and the rotary encoders present on the keyboard, the Kontrol allows for direct connection to the brand’s Kontakt and Komplete software, as well as advanced control of NKS-compatible instruments (like some tools from u-he or Output, for example).
Sure, the price is therefore higher than other models, but it is still a beautiful keyboard that will be very suitable for beatmakers looking for a MIDI piano — however, there are no velocity-sensitive pads, so finger drumming is not possible on this model.
► Compare the prices of the Kontrol Series S keyboards:
DAW Controllers
To go a little further, let’s briefly address the topic of DAW controllers.
Clearly, if you are starting in beatmaking, I recommend that you lean more towards MIDI keyboards or drum pad controllers, because the goal is primarily to play sounds, to play notes — and not just to trigger loops.
That said, depending on your working style, you may need a tool that allows you to control your DAW more deeply.
Some controllers (like the Ableton Push 3 we have already talked about) allow this natively, but this is not the case for all models; or it may not always be very effective.
So here are some suggestions for controllers specifically designed to control certain DAWs.
AKAI Pro Fire (for FL Studio)
If you are using FL Studio, it may be interesting to add a Fire from AKAI to your setup.
Indeed, it allows you to take control of your productions in an interesting way, somewhat replicating the graphical interface of the software.
Practical for managing percussion in particular, and thus generating interesting patterns on the fly, thanks to the 4 x 16 velocity-sensitive pad matrix.
► Compare the prices of the Fire: Thomann Woodbrass Amazon
AKAI APC Mini (for Ableton Live)
Another option if you are using Ableton Live: the APC Mini from AKAI, which is very nice.
This one offers 8 rows of 8 backlit pads that allow you to trigger the audio or MIDI clips present in your Ableton Live session, along with faders to control volume or, for example, panning, as well as transport buttons (play/record/stop…).
On the new version, you can play Ableton drum racks or notes, but I find that the pads are not ultra-suited for that. So let’s say it’s a sporadic possibility, but if you want to play percussion every day on your controller, it’s better to lean towards tools like those presented earlier in the article.
► Compare the prices of the AKAI APC Mini: Thomann Woodbrass Amazon
Novation Launchpad Mini (for Ableton Live & Logic Pro)
The Launchpad Mini is a compact and portable controller for Ableton Live and Logic Pro.
With 64 RGB pads, it offers perfect visualization of your working session and allows you to launch clips in Ableton Live or “Live Loops” in Logic Pro.
Three custom modes are integrated, allowing you to customize mappings and control whatever you want in MIDI. All at a very reasonable price.
► Compare the prices of the Launchpad Mini : Thomann Woodbrass Amazon
Microphones for beatmaking
Of course, a large part of a beatmaker’s work consists of producing beats, which are the instrumentals that form the basis of the track.
However, depending on your musical goals, you may need to add vocals over these instrumentals, whether they are vocal samples for special effects or rap vocal takes.
And for that, you will need a microphone that you will connect to your audio interface with an XLR cable.
What type of microphone to buy?
There are different types of microphones: dynamic microphones, large diaphragm condenser microphones, small diaphragm condenser microphones, and ribbon microphones.
While there are of course many possible configurations, the most common practice among beatmakers is to use a good condenser microphone, which will reproduce all the details of your voice (or that of the artist you are recording).
However, do not forget to pay attention to the acoustics of the room, which can strongly influence the quality of your recordings.
► For more information on types of microphones, check out my studio microphones guide.
Micro Recommendation #1: RØDE NT1-A
Quite an affordable option for beginners: the famous RØDE NT1-A.
It is a microphone that has a good price-quality ratio, even though it can sometimes be a bit bright in the highs (which, you might say, gives it a somewhat modern touch).
The sound is clear, with a good level of detail, no abnormally high background noise like on other mics at the same price, and above all, it comes with all the necessary accessories: pop filter, elastic shock mount, and XLR cable.
A very good choice for beginners.
► Compare the prices of the RØDE NT1-A at: Thomann Amazon Woodbrass
Micro Recommendation #2: Neumann TLM 103
Second recommendation, for those with a much larger budget: the famous TLM 103 from Neumann.
Sure, you pay a bit for the brand name, but it is a good microphone that is very often found among beatmakers and rappers.
In terms of sound quality, you get a good level of detail and I find that it tends to immediately give a “modern” / finished product quality to recordings. So the recordings you make with it will be easier to process during mixing than if you had used a number of lower-end microphones.
► Compare the prices of the TLM 103 : Thomann Amazon Woodbrass
To go further
Feel free to also check out my file on microphones for rap: the suggestions it contains are perfectly suited for use by beatmakers.
Beatmaking in “DAWless”?
In recent years, the “DAWless” approach has become popular, meaning music production without using a DAW — thus without using a computer, but rather working on machines capable of operating in standalone mode without being connected to anything (well, yes, to a power source, but you get my point 🙂 ):
- synthesizers
- drum machines
- sequencers
- hardware effects
- etc.
The interest of working in DAWless
Doing beatmaking in DAWless mode has several unique advantages that appeal to many musicians and producers. Here are some reasons why many artists choose this method:
- Tactile and Immediate Experience: DAWless beatmaking allows for physical and direct interaction with instruments and controllers. Turning knobs, pressing buttons, and manipulating faders provide a more immersive and intuitive experience. This approach fosters a more intimate connection with the music, making the creative process more organic and fluid.
- Fewer Distractions: Computers and DAWs can be distracting with their numerous features, notifications, and update needs. By working without a DAW, producers can focus exclusively on the music, without being interrupted by non-musical elements. This allows for total immersion in the creative process, as well as a more minimalist approach that often enables artists to be more efficient.
- Portability and Flexibility: DAWless setups can be relatively compact and portable, allowing musicians to create and perform outside of the traditional studio. Whether traveling, outdoors, or in tight spaces, this flexibility encourages spontaneity and inspiration anywhere.
In conclusion, DAWless beatmaking offers an alternative and enriching approach to music production. It allows for a deeper connection with instruments, reduces distractions, and fosters creativity and innovation. For many producers and beatmakers, this method represents a path to a purer and more authentic musical expression.
What machines to work in DAWless?
Let’s be clear: if you embark on the DAWless adventure, you will have to choose from many machines, all more attractive than the others.
It’s not different, at its core, from the multitude of plugins and sample libraries available when working on a computer.
That said, I have prepared a few suggestions that could be good starting points, as these are relatively self-sufficient machines: you can produce a complete beat on them.
Teenage engineering EP-133 K.O II
The EP-133 K.O from teenage engineering is a powerful and portable sampler, sequencer, and composer.
It allows you to record sounds, sequence samples and loops, and adjust parameters like the filter and pitch with automation.
It features stereo effects, a compressor, and modern punch-in effects, making it easy to quickly create tracks.
Equipped with a built-in microphone and speaker, it offers 6 stereo voices or 12 mono voices, 64 MB of memory or 999 sample slots, as well as pressure-sensitive keys and a multifunction fader — there’s plenty to do!
► Compare prices for the EP–133 K.O II: Thomann Woodbrass Amazon
Roland SP-404MKII
The Roland SP series needs no introduction, having been used by beatmakers since the first model was released in 1998.
The SP-404MKII is the latest addition to the series, and it must be said that it is very powerful: it’s a creative sampler with advanced effects and features.
With its 17 expressive pads and improved buttons, it offers smooth and quick usage. Thanks to its bright OLED screen and the ability to zoom in on waveforms, editing samples is simplified.
The legendary SP effects, combined with new tools, allow for versatile sound processing; while its step sequencer and real-time recording options make it easy to create unique patterns.
Equipped with 16 GB of internal memory and a Sound Generator, the SP-404MKII provides an abundance of sounds right out of the box to inspire your creations.
► Compare prices for the Roland SP-404MKII: Thomann Woodbrass Amazon
Novation Circuit Tracks
Perhaps a bit simpler than the two options above, the Circuit Tracks is nonetheless a nice tool and quite easy to handle for beginners.
It is indeed a simple production platform, offering two polyphonic synth tracks, two MIDI tracks, and four sample-based drum tracks.
Its step sequencer allows for the creation of 32-step patterns, with the ability to chain up to 256 steps per track. A reverb and a delay effect are built-in and controllable via the knobs at the top of the device.
Note also the presence of a rechargeable battery, which will allow you to work for up to four hours on the go.
► Compare the prices of the Circuit Tracks : Thomann Woodbrass Amazon
Elektron Digitakt
For those who want to raise the bar a little higher right away (because the workflow is a bit more complex), I find it useful to look at the machines from Elektron, particularly the famous Digitakt.
Admittedly, the price is a bit higher than other machines, but that’s also because the machine offers many more features.
The Digitakt is a drum machine with eight tracks, offering a variety of features for music creation. Its digital sound engine allows you to capture and manipulate samples, providing great flexibility in creating beats and soundscapes.
In addition to the eight sample tracks, it also allows you to control up to eight external instruments via MIDI and to process an external audio source in stereo with effects such as reverb and delay.
Equipped with a complete sequencer, the Digitakt allows you to control both the structure and sound of compositions, and it does so very effectively.
► Compare the prices of the Digitakt : Thomann Woodbrass Amazon
But also
I won’t go into a full description, but know that if your budget is high enough, it can be very useful to also look at the standalone machines offered by Ableton and Native Instruments, namely the standalone versions of Push 3 and Maschine.
► See the price of the Push 3 Standalone : Ableton
► Compare Maschine + : Thomann Woodbrass Amazon
In conclusion
There you go, through this article, I hope you have gained the most comprehensive view possible of the equipment needed for beatmaking.
Of course, you don’t need to have all the devices, but if you are just starting out, it is important to choose high-quality tools to avoid being hindered by manufacturing quality issues or poorly thought-out features.
This is the whole purpose of this file, beyond the “simple” explanation of what equipment is necessary: to help you make the right choices.
If you have any questions, feel free to ask them in the comments, of course.
► To go further, feel free to also check out my more general guide on home studio equipment